by Mike Joseph | Feb 7, 2022
We’re in that early part of the year where most movies hitting the big screen will be forgotten by the end of the year. This isn’t always the case (Black Panther, Get Out), and Death on the Nile looked like it had a chance to be an early year standout....
by Kevin Allen | Feb 4, 2022
From the documentaries Apollo 11 and Amazing Grace to foreign narratives like The Worst Person In The World and the 2020 Best Picture Oscar winner Parasite, Neon Films has cemented itself as a film distributor willing to give work from documentarians and foreign...
by Kevin Allen | Jan 21, 2022
Since the late 1970s, filmmaking auteur Pedro Almodovar has received praise from critics and audiences in his home country of Spain as well as in North America, first breaking through stateside with Women On The Verge Of A Nervous Breakdown in 1988, then again with...
by Sean Atkins | Jan 14, 2022
Who says you can’t release a good horror film outside the fall season? As awards season picks up steam and audiences start to slowly come off their high from last month’s Spider-Man: No Way Home, we set our sights on the New Year and the exciting film slate ahead....
by Kevin Allen | Jan 13, 2022
In 2018, anime director Mamoru Hosoda received an Academy Award nomination for Mirai, which enthralled audiences with gorgeous animation and a wondrous coming-of-age narrative that explored the psychology of its child protagonist well, yet was lacking in thematic...
by Sean Atkins | Jan 6, 2022
Despite A-list star George Clooney churning out some duds behind the camera, including last year’s pricey The Midnight Sky from Netflix and 2017’s Suburbicon starring Matt Damon, he still should appear on the radar whether he’s starring or directing. Clooney’s latest...
