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‘Guillermo del Toro’s Pinocchio’ is a Stunning Stop-Motion Epic (Review)

‘Guillermo del Toro’s Pinocchio’ is a Stunning Stop-Motion Epic (Review)

by Kevin Allen | Nov 18, 2022

Guillermo del Toro adapts Carlo Collodi’s classic tale about the wooden boy come to life with impeccable humanity in his newest film for Netflix. Stop motion animation has had a bit of a resurgence in this calendar year, from Phil Tippett’s macabre masterpiece...
‘Stutz’ Gives Jonah Hill a Remarkably Tenderhearted Platform to Honor His Therapist (Review)

‘Stutz’ Gives Jonah Hill a Remarkably Tenderhearted Platform to Honor His Therapist (Review)

by Cory Woodroof | Nov 14, 2022

  In both of his films, actor-turned-filmmaker Jonah Hill has cut a part of his life out and sculpted it into something beautiful and abundant in meaning. With Mid90s, he scrapbooked the dog days of his 90s youth into a film about growing up too fast. It felt a...
Phase 4 Ends on Graceful Note with ‘Black Panther: Wakanda Forever’ (Review)

Phase 4 Ends on Graceful Note with ‘Black Panther: Wakanda Forever’ (Review)

by Sean Atkins | Nov 8, 2022

While not as memorable as its predecessor, director Ryan Coogler handles this respectable sequel with grace. Phase 4 of the Marvel Cinematic Universe (MCU) has been rocky, to say the least. Whether on the film or television side, there has been a lack of consistency...
Dark Comedy ‘The Banshees of Inisherin’ Could Be Awards Dark Horse (Review)

Dark Comedy ‘The Banshees of Inisherin’ Could Be Awards Dark Horse (Review)

by Sean Atkins | Nov 4, 2022

The latest film from director Martin McDonagh is now playing in theaters everywhere. It’s been five years since we last saw Martin McDonagh, who directed Three Billboards Outside Ebbing, Missouri. McDonagh, known for his dark comedy approach in films including Three...
‘Meet Me in the Bathroom’ a Nostalgic Ode to NYC’s Alt-Rock (Review)

‘Meet Me in the Bathroom’ a Nostalgic Ode to NYC’s Alt-Rock (Review)

by Kevin Allen | Nov 4, 2022

The Strokes and the Yeah Yeah Yeahs are but a couple bands probed about their start in the Big Apple in this new music documentary from Will Lovelace and Dylan Southern. Dylan Southern and Will Lovelace are two documentarians who first broke into the independent film...
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